Art in the Parks

Through collaborations with a diverse group of arts organizations and artists, Parks bringsto the public both experimental and traditional art in many park locations. Please browse ourlist of current exhibits below, explore our archives of past exhibits or readmore about the Art in the Parks Program.

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Find out which current exhibits are on display near you, and browse our permanent monument collection.

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Photo credit: Courtesy of Photoville

Various Artists, Photoville NYC 2020
September 17, 2020 to March 30, 2021
Various Locations

Now in its ninth year, Photoville NYC2020 expands the beloved festival, for the first time ever, to all five boroughs, offering increased access to art and storytelling as so many facets of society remain on pause, and as New York’s open public spaces provide vital, safe ways of being out in the world amidst the COVID-19 pandemic. With Photoville’s focus on the power of visual storytelling, many exhibitions respond to and candidly capture realities both intimate and global from this historic, harrowing year.

In addition to the public displays, Photoville has also put together an abundant calendar of virtual events surrounding the festival, including artist talks, workshops, demonstrations, educational programs, storytelling events, and community programming.

Locations: Exhibitions in parks can be found in Soundview Park and Van Cortlandt Park in the Bronx; Anchorage Plaza in Brooklyn; Chelsea Park, Jackie Robinson Park, and St. Nicholas Park in Manhattan; Astoria Park and Travers Park in Queens; and South Beach Promenade in Staten Island. For more more locations, please visit

This exhibition is presented by Photoville.


Image courtesy of Publicolor

Publicolor, Fractured Spectrum
November 9, 2020 to November 8, 2021
Franz Sigel Park, Bronx
Map/Directions (in Google Maps)


This mural’s abstract design captures motion with colors that convey an abundance of energy and brings life to this exterior retaining wall along Walton Avenue. Residents in the community and park visitors will develop a joy and appreciation of color, and how it affects our moods and behavior. This mural was painted by Publicolor, a youth development program that fights poverty by aggressively addressing the alarming dropout rate and low levels of educational attainment and youth employment in New York City. The program engages high-risk, low-income students, ages 12-24, in a multi-year continuum of design-based programs to encourage academic achievement, college preparation, job readiness, and community service.

Photo: Fitzhugh Karol, Field’s Jax Thicket, Courtesy of the artist.

Fitzhugh Karol, Field’s Jax Thicket
September 2, 2020 to September 1, 2021
Bartow-Pell Mansion Museum
Pelham Bay Park, Bronx
Map/Directions (in Google Maps)

Field’s Jax Thicket, by Brooklyn-based sculptor Fitzhugh Karol, consists of four works created using steel recycled from a previous single large sculpture, now re-conceived as smaller and more interactive sculptures. Previously exhibited at four locations around the DUMBO neighborhood in Brooklyn, the sculptures are reunited in a playful arrangement on the lawn of the Bartow-Pell Mansion Museum in Pelham Bay Park. For the Field’s Jax series, Karol worked with nine parts from his monumental sculpture Eyes, which was on view in Staten Island’s Tappen Park in 2017.


Daniele Frazier, Big Bird, courtesy of the artist

Daniele Frazier, Big Bird
December 28, 2020 to December 27, 2021
Highland Park, Brooklyn
Map/Directions (in Google Maps)

Big Bird features a six-foot-tall aluminum cutout of a white-bellied caique parrot, hand-painted in sign enamel. The bird is perched twenty feet above the ground, as if it were surveying the activities of park-goers below. Hanging from the perch is a bronze bell, recalling the types of "enrichment" toys that are provided for caged birds. In keeping with themes of Frazier's past works that depend on interaction with the weather, the bell rings in high winds and can be heard even where the piece cannot be seen.

Photo credit: courtesy of the artist

Rocko Rupert, TimberWolf
October 31, 2020 to October 25, 2021
Maria Hernandez Park, Brooklyn
Map/Directions (in Google Maps)


TimberWolf takes utilitarian materials like reclaimed lumber to beautify this corner of the park and serves as a metaphor for how everyday materials can be repurposed. It plays into the importance of resourcefulness, breathing use back into what is considered to be “used-up.” The artwork takes the form of a dog’s head, a nod to the popular nearby dog park. At the end of the public art installation period, TimberWolf will be donated to another public space to be enjoyed. The possibility to be reused or repurposed with additional functionalities gives this living installation another life.

Image credit: Photo by David Andrako

Brooklyn Hi-Art! Machine (Mildred Beltre and Oasa DuVerney), Inspired By “What Is Left”
October 3, 2020 to May 2, 2021
Prospect Park Bandshell
Prospect Park, Brooklyn
Map/Directions (in Google Maps)

This installation comes from the 1993 Lucille Clifton (1936-2010) poem, “won’t you celebrate with me.” Clifton's words offer a reminder of the daily struggle for survival that Black women endure and of the work for racial equality that still remains to be done. Through the word "celebrate," the quote provides a more nuanced understanding of the ongoing struggle for equality and connects to the artwork’s call for both joy and work, anger and love. Known as a host for many joyous and powerful celebrations, this installation continues Prospect Park and the Bandshell’s history as a gathering space and platform where Brooklyn can unite under a common cause. This has come even more to the forefront during the COVID-19 pandemic and Black Lives Matter movement, where it has served as the backdrop for moments of protest and joy, celebration and memorialization, making it the perfect location for this installation.   

This exhibition is presented by BRIC and Prospect Park Alliance.


Image credit: Sam Moyer, “Doors for Doris,” 2020, Bluestone, poured concrete, assorted marble, and steel, Presented by Public Art Fund at Doris C. Freedman Plaza, September 16, 2020-September 12, 2021, Courtesy Sam Moyer Studio and Sean Kelly, New York, Photo: Nicholas Knight, Courtesy Public Art Fund, NY

Sam Moyer, Doors for Doris
September 16, 2020 to September 12, 2021
Doris C. Freedman Plaza
Central Park, Manhattan
Map/Directions (in Google Maps)

To mark the threshold between Central Park’s boulder-filled terrain and Midtown Manhattan’s built environment, Sam Moyer has created a massive three-part sculpture, with a title that pays homage to Public Art Fund founder, Doris C. Freedman (1928-1981). Moyer’s hybrid sculpture unites imported stone with rock indigenous to the New York region. The artist inlaid marble fragments into three double-sided vertical concrete slabs and framed them with contrasting rough-hewn bluestone monoliths. Each stone in Moyer’s mosaic compositions takes on an even more striking hue against the others and the locally-quarried rock, an apt metaphor that encourages us to consider the diverse character of our city and our interconnected lives within it. Their final arrangement demonstrates her impressive skill in composing sculptural forms, with its “doors” pivoted ajar to evoke the dynamism of the bustling city. 

This exhibition is presented by Public Art Fund.

Photo by Tina Sokolovskaya

Gillie and Marc, King Nyani
August 25, 2020 to August 23, 2021
Bella Abzug Park, Manhattan
Map/Directions (in Google Maps)

In collaboration with the Dian Fossey Gorilla Fund, artists Gillie and Marc Schattner have brought another version of King Kong’s story to the streets of New York, this time with love. Gorillas are one of our closest relatives sharing 98% of our DNA. They share many of the same behaviors as humans such as laughter and sadness. But there may be only 1000 mountain gorilla left in the wild and fewer than 3800 eastern lowland gorilla. On a trip to Uganda, the artists were able to see a family of mountain gorillas in the wild and were moved to tears at the loving family unit. Their sculpture is based on the head of the family, a dominant silverback gorilla. King Nyani, Swahili for gorilla, is the largest bronze gorilla statue in the world and gives an interactive experience unlike any other. With his hand large enough to fit 2-3 people, the public can get up close and personal with this gentle giant and fall in love with him.

Photo credit: Courtesy of Cavalier Galleries

Jim Rennert, Timing, Inner Dialogue and Commute
December 19, 2020 to August 22, 2021
Dag Hammarskjold Plaza, Manhattan
Map/Directions (in Google Maps)


Drawing on both his past professional experiences, and those of his contemporaries, Rennert composes thought-provoking works through simplified figures and forms. Together, these three monumental bronze sculptures are inspired by artist Jim Rennert’s past experiences in the competitive world of business. Each title works together with the visual image to illustrate the experience, sometimes physical, sometimes psychological and showcase the thoughts and ideas we all deal with in our contemporary society.

Photo credit: courtesy of the artist

Noa Bornstein, Peace Gorilla
November 30, 2020 to August 15, 2021
Dag Hammarskjold Plaza, Manhattan
Map/Directions (in Google Maps)


Cast in bronze in 2020, this sculpture was originally created by Brooklyn-based artist Noa Bornstein ten years ago out of sisal fiber and burlap in structolite and plaster over an armature of wire mesh and plumbing sections. The sculpture is mounted on a low concrete base inscribed with the word for ‘friend’ in 90 languages—beginning with the six official languages of the UN--all learned or verified with speakers of the languages over the last year. For additional/interactive content please visit

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