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Art in the Parks

Through collaborations with a diverse group of arts organizations and artists, Parks brings to the public both experimental and traditional art in many park locations. Please browse our list of current exhibits below, explore our archives of past exhibits or read more about the Art in the Parks Program.

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Find out which current exhibits are on display near you, and browse our permanent monument collection.

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Art Students League, ...and We Breath
September 15, 2016 to September 15, 2017
Van Cortlandt Park, Bronx
Map/Directions (in Google Maps)


The Art Students League of New York, one of America’s premier art schools, presents the Model to Monument Program (M2M), a collaboration with NYC Parks that has culminated in the installation of the collaborative sculpture, …and We Breathe, at Van Cortlandt Park. This is the sixth year for the M2M program, which has installed nearly 50 monumental works in NYC parks since 2011. This piece by all seven M2M sculptors celebrates and explores the various aspects of “Air,” this year’s theme for Van Cortlandt Park. This installation was created by artists Aaron Bell, Sheila Berger, James Mikhel Emerson, Tanda Francis, Markus Rudolph Holtby, Shiho Sato, and Sarah Thompson Moore. The group also has works concurrently on view in Riverside South Park in Manhattan.

This work was made possible by the Art Students League’s Model to Monument Program.

Diana Perea, Bronx Tracks
July 2016 to July 2017
Railroad Park, Bronx
Map/Directions (in Google Maps)


Created by Bronx artist Diana Perea, the Bronx Tracks was inspired by French muralist Nelio as well as the unique sounds, movement and cityscape of the Bronx. The mural is a site-specific installation designed to activate the park and to create a more pedestrian-friendly experience along E. 161st Street between the bustling courthouse center at Morris Avenue and the less trafficked three-block stretch to Elton Avenue. A team of young DreamYard artists and an intergenerational team of community volunteers installed the mural, spurring conversation, creativity, and a new favorite destination among community members and groups.

The mural’s abstract forms and vibrant colors reenergize Railroad Park, the adjacent NYCHA Morrisania Air Rights building, and the path to the often-overlooked Metro North Station directly behind it. Perea’s innovative techniques emphasize the beauty of the existing structures, and the mural’s influences by Picasso, Delaunay, Kandinsky, and Malevich can be admired by all who play in and pass by Railroad Park and E. 161st Street.

This exhibit is presented by WHEDco and The DreamYard Project in partnership with the New York City Housing Authority (NYCHA).

Chat Travieso, Boogie Down Booth
May 17, 2016 to May 17, 2017
O'Neill Triangle, Bronx
Map/Directions (in Google Maps)


This colorful new public installation brings music, solar–powered lights, seating, and community art to an underutilized space in Morrisania. This is the third Boogie Down Booth, designed by artist Chat Travieso. The first booth was installed at Southern Boulevard and Freeman Street, under the 2/5 line, in 2014, and the second was installed in Seabury Park in 2015 and will remain on view through June 24, 2016.

This booth Boogie Down Booth has solar–powered speakers that stream music that originated in the Bronx, including salsa, jazz, Afro–Caribbean, hip–hop, Garifuna, and blues. The playlist, curated by the Bronx Music Heritage Center, both celebrates the rich musical heritage of the borough and masks construction and vehicular traffic noise on the 161st Street corridor. The installation also provides much–needed picnic–style seating and solar–powered lighting to the park, which is located close to a bus stop, Boricua College, and 1,000+ units of housing. The booth also incorporates interactive elements like a community bulletin board and artwork by local artists and students. Community partners including DreamYard, BronxWorks, and Boricua College, who will collaborate on various activities at the booth throughout the year.

This exhibition is presented by WHEDco and the Bronx Music Heritage Center .


Photo credit Jacob Farber

Jacob Farber, Rene
August 22, 2016 to August 13, 2017
Valentino Pier, Brooklyn
Map/Directions (in Google Maps)


René is comprised of scrap wood found in nearby Gowanus, Brooklyn. The sculpture speaks to the community members and organizations that are being forgotten as neighborhoods develop. This work enhances the conversations related to sustainability and usefulness as they apply to Brooklyn, but also other communities where residents, businesses, and artists have been forced out by neighborhood change. Farber hopes that this work will serve as a reminder that communities can come together and find a sustainable way in which to move forward. The name of the sculpture relates to the theme of again finding a voice, being found, and–through cooperation and collaboration–being reborn

Carole Eisner, Monumental Sculptures at Prospect Park
May 2016 to May 2017
Prospect Park, Brooklyn
Map/Directions (in Google Maps)


For more than 45 years Eisner has been welding massive abstract sculptures from scrap and recycled metal. The four works that will be on view in Prospect Park are from a series Eisner created in the past 10 years from I–beams, rolled and twisted to create lyrical, elegant forms. This yearlong exhibition utilizes four key sites throughout the Park, chosen to maximize visitor access. The grassy triangle entrance facing Grand Army Plaza is home to Dancer, a 17–foot tall sculpture which spirals and soars upwards. Zerques, one of the smaller sculptures standing six and half feet tall will be placed on the lawn in front of the historic Litchfield Villa on 5th Street. Skipper, rising 13 feet and also constructed with curved I–beams, will greet visitors entering the Park from Bartel–Pritchard Square. Valentine II, named for its elegant heart shaped form, will be placed on the Peninsula in front of the Lake.

This exhibition is presented by Susan Eley Fine Art and the Prospect Park Alliance.

Untitled, photo courtesy of ISCP

Maartje Korstanje, Untitled
November 2, 2016 to January 27, 2017
Olive Street Garden, Brooklyn
Map/Directions (in Google Maps)

Please note: This is a past exhibit that is no longer installed in the park.


Untitled is part of the group exhibition The Animal Mirror, on view nearby at the International Studio and Curatorial Program (ISCP). Korstanje’s site–specific installation consists of five sculptures and continues her investigations into the way art can intervene in the processes of the natural world. The sculptures are made from a mix of natural and human-made materials and are designed to serve as attractive homes for solitary bees. Unlike domesticated bees, solitary bees live alone, rather than in collective hives. Designed as much for use by the garden’s natural fauna as they are for the enjoyment of its human visitors, the sculptures will alter with the changing of the seasons.

Korstanje–a Dutch artist whose mother is a beekeeper–began her involvement with bees in 2006 in the midst of the first scientific reports of colony collapse disorder, in which a large number of honeybee colonies in North America and Europe suddenly and mysteriously disappeared. Traced to the use of industrial pesticides, among other causes, this phenomenon still poses a serious threat to agricultural production in the world, where bees play an essential role in pollinating many crops. Korstanje’s installation is meant to visually suggest swarming masses of insects, while the incorporated bamboo sticks and their hollow interiors also provide ready-made nesting grounds.

This exhibition is presented by International Studio and Curatorial Program (ISCP).


Rendering Courtesy of the artist, Blum & Poe, Los Angeles/New York/Tokyo, and Friends of the High Line. ©Henry Taylor

Henry Taylor, the floaters
March 17, 2017 to March 2018
The High Line, Manhattan
Map/Directions (in Google Maps)


Henry Taylor is a painter known for his intimate depictions of people, capturing a wide range of subjects that span from his close friends and family, to strangers whose appearances strike him, to celebrities within the African American community. His color–blocked compositions evoke compassion and a sense of shared space, setting the viewer in close conversation with those pictured.

For the High Line, Taylor presents a new version of a self-portrait adapted specifically for its setting on the side of a building at West 22nd Street. The work depicts the artist and a friend “blissed out,” relaxing in a swimming pool at a friend’s house in Palm Springs. Reminiscent of David Hockney’s paintings of Los Angeles swimming pools from the 1960s, the floaters, a title which references the eponymous Detroit R&B group, portrays the artist in a moment of pure, leisurely happiness.

This exhibition is presented by High Line Art.

KAWS, New York Made: Stanton Street Courts, photo courtesy of Nike

KAWS, New York Made: Stanton Street Courts
November 17, 2016 to November 16, 2017
Sara D. Roosevelt Park, Manhattan
Map/Directions (in Google Maps)


New York Made: Stanton Street Courts by KAWS encompass two side-by-side full basketball courts (approximately 116 by 80 feet), as well as four hoops. “My approach to the courts was very similar to how I would work on canvas. I wanted to create something that was true to my language, but also considerate of this being a court that people are playing on,” the Brooklyn–based, world–renowned artist Brian Donnelly (KAWS) explains. “I wanted to find the sweet spot where it works visually and functionally – how its broken up by the game’s lines and works with my images. It will have an intimate effect on the players that use the court.”

KAWS first moved to Manhattan in 1996, and lived on the corner of Clinton and Stanton Street. His familiarity with the park and its neighborhood is thus extremely personal.

This exhibition is presented with Nike.

Amanda Long, Wishing Well, photo courtesy of the artist

Amanda Long, Wishing Well
October 29, 2016 to October 3, 2017
Dyckman Farmhouse Museum, Manhattan
Map/Directions (in Google Maps)


Wishing Well, a playful, site-specific, interactive sculpture, is an updated, technological interpretation of a fairy tale wishing well, a popular theme in European folklore. Wishing wells were believed to grant requests by way of magical waters or deities residing within. Visitors of all ages are encouraged to speak a wish into the well. The words are translated into a video ripple inside, and an echo repeats the words back. Turning the well’s crank activates video and microphone recordings, which are captured in a database inside the sculpture. The recordings will be curated and presented on a dedicated website,, bringing the artwork beyond the physical space of the park.

The Dyckman Farmhouse, a Dutch Colonial style farmhouse built c. 1784, was opened as a museum in 1916. Today it is nestled in a small garden and is an extraordinary reminder of early Manhattan and important part of the diverse Inwood neighborhood. The original well has long been absent from the house, although a replacement well-head was constructed around 1915-1916 during the restoration of the farmhouse. This well-head was removed sometime in the 1980’s and replaced by a simple wood platform. Installed at the site of the original well on the Dyckman property, Long’s video sculpture enlivens the vacant well site as a fantasy restoration.

This exhibition is presented by the Dyckman Farmhouse Museum and the Historic House Trust, with support from the New York State Council on the Arts.

Liz Glynn, Open House
March 1, 2017 to September 24, 2017
Doris C. Freedman Plaza
Central Park, Manhattan
Map/Directions (in Google Maps)


Open House transforms Doris C. Freedman Plaza into an open air ballroom where only scattered furniture and arches remain eight blocks south from the original mansion. It references one of the grandest Fifth Avenue interiors designed by Gilded Age architect Stanford White: the now–demolished William C. Whitney Ballroom.Glynn’s lavish Louis XIV sofas, chairs, and footstools evoke the historic home, but with a twist–these objects feature sculpted additions and are cast in concrete, a populist material more commonly seen in modern architecture. With this revision, the artist invites the public to enjoy a previously exclusive interior space that is now open and accessible to all.

This exhibition is presented by Public Art Fund.

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