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Art in the Parks

Through collaborations with a diverse group of arts organizations and artists, Parks brings to the public both experimental and traditional art in many park locations. Please browse our list of current exhibits below, explore our archives of past exhibits or read more about the Art in the Parks Program.

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2017

Bronx

Art Students League, ...and We Breath
September 15, 2016 to September 15, 2017
Van Cortlandt Park, Bronx
Map/Directions (in Google Maps)

Description:

The Art Students League of New York, one of America’s premier art schools, presents the Model to Monument Program (M2M), a collaboration with NYC Parks that has culminated in the installation of the collaborative sculpture, …and We Breathe, at Van Cortlandt Park. This is the sixth year for the M2M program, which has installed nearly 50 monumental works in NYC parks since 2011. This piece by all seven M2M sculptors celebrates and explores the various aspects of “Air,” this year’s theme for Van Cortlandt Park. This installation was created by artists Aaron Bell, Sheila Berger, James Mikhel Emerson, Tanda Francis, Markus Rudolph Holtby, Shiho Sato, and Sarah Thompson Moore. The group also has works concurrently on view in Riverside South Park in Manhattan.

This work was made possible by the Art Students League’s Model to Monument Program.

Diana Perea, Bronx Tracks
July 2016 to July 2017
Railroad Park, Bronx
Map/Directions (in Google Maps)

Description:

Created by Bronx artist Diana Perea, the Bronx Tracks was inspired by French muralist Nelio as well as the unique sounds, movement and cityscape of the Bronx. The mural is a site-specific installation designed to activate the park and to create a more pedestrian-friendly experience along E. 161st Street between the bustling courthouse center at Morris Avenue and the less trafficked three-block stretch to Elton Avenue. A team of young DreamYard artists and an intergenerational team of community volunteers installed the mural, spurring conversation, creativity, and a new favorite destination among community members and groups.

The mural’s abstract forms and vibrant colors reenergize Railroad Park, the adjacent NYCHA Morrisania Air Rights building, and the path to the often-overlooked Metro North Station directly behind it. Perea’s innovative techniques emphasize the beauty of the existing structures, and the mural’s influences by Picasso, Delaunay, Kandinsky, and Malevich can be admired by all who play in and pass by Railroad Park and E. 161st Street.

This exhibit is presented by WHEDco and The DreamYard Project in partnership with the New York City Housing Authority (NYCHA).

Chat Travieso, Boogie Down Booth
May 17, 2016 to May 17, 2017
O'Neill Triangle, Bronx
Map/Directions (in Google Maps)

Please note: This is a past exhibit that is no longer installed in the park.

Description:

This colorful new public installation brings music, solar–powered lights, seating, and community art to an underutilized space in Morrisania. This is the third Boogie Down Booth, designed by artist Chat Travieso. The first booth was installed at Southern Boulevard and Freeman Street, under the 2/5 line, in 2014, and the second was installed in Seabury Park in 2015 and will remain on view through June 24, 2016.

This booth Boogie Down Booth has solar–powered speakers that stream music that originated in the Bronx, including salsa, jazz, Afro–Caribbean, hip–hop, Garifuna, and blues. The playlist, curated by the Bronx Music Heritage Center, both celebrates the rich musical heritage of the borough and masks construction and vehicular traffic noise on the 161st Street corridor. The installation also provides much–needed picnic–style seating and solar–powered lighting to the park, which is located close to a bus stop, Boricua College, and 1,000+ units of housing. The booth also incorporates interactive elements like a community bulletin board and artwork by local artists and students. Community partners including DreamYard, BronxWorks, and Boricua College, who will collaborate on various activities at the booth throughout the year.

This exhibition is presented by WHEDco and the Bronx Music Heritage Center .

Brooklyn

Image courtesy of Public Art Fund

Anish Kapoor, Descension
May 3, 2017 to September 10, 2017
Brooklyn Bridge Park, Brooklyn
Map/Directions (in Google Maps)

Description:

As part of its 40th Anniversary season, Public Art Fund brings Descension, one of Anish Kapoor’s most viscerally arresting installations, to New York City for the first time. Sited at Pier 1 in Brooklyn Bridge Park, this massive, continuously spiraling funnel of water will harness one of the most evanescent of materials and create a striking contrast with the adjacent East River. Kapoor, among the most influential artists of his generation, has had a career-long engagement with space and the limits of perception. With Descension, he has created a dynamic negative space that descends into the ground, disturbing the familiar boundaries of our world. In the midst of a quintessential New York park, Kapoor invites us to experience the sheer perceptual wonder of an ordinary material like water made to behave in an extraordinary way.

This exhibition is presented by Public Art Fund and Brooklyn Bridge Park.

Photo credit Jacob Farber

Jacob Farber, Rene
August 22, 2016 to August 13, 2017
Valentino Pier, Brooklyn
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Description:

René is comprised of scrap wood found in nearby Gowanus, Brooklyn. The sculpture speaks to the community members and organizations that are being forgotten as neighborhoods develop. This work enhances the conversations related to sustainability and usefulness as they apply to Brooklyn, but also other communities where residents, businesses, and artists have been forced out by neighborhood change. Farber hopes that this work will serve as a reminder that communities can come together and find a sustainable way in which to move forward. The name of the sculpture relates to the theme of again finding a voice, being found, and–through cooperation and collaboration–being reborn

Carole Eisner, Monumental Sculptures at Prospect Park
May 2016 to May 2017
Prospect Park, Brooklyn
Map/Directions (in Google Maps)

Description:

For more than 45 years Eisner has been welding massive abstract sculptures from scrap and recycled metal. The four works that will be on view in Prospect Park are from a series Eisner created in the past 10 years from I–beams, rolled and twisted to create lyrical, elegant forms. This yearlong exhibition utilizes four key sites throughout the Park, chosen to maximize visitor access. The grassy triangle entrance facing Grand Army Plaza is home to Dancer, a 17–foot tall sculpture which spirals and soars upwards. Zerques, one of the smaller sculptures standing six and half feet tall will be placed on the lawn in front of the historic Litchfield Villa on 5th Street. Skipper, rising 13 feet and also constructed with curved I–beams, will greet visitors entering the Park from Bartel–Pritchard Square. Valentine II, named for its elegant heart shaped form, will be placed on the Peninsula in front of the Lake.

This exhibition is presented by Susan Eley Fine Art and the Prospect Park Alliance.

Untitled, photo courtesy of ISCP

Maartje Korstanje, Untitled
November 2, 2016 to January 27, 2017
Olive Street Garden, Brooklyn
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Please note: This is a past exhibit that is no longer installed in the park.

Description:

Untitled is part of the group exhibition The Animal Mirror, on view nearby at the International Studio and Curatorial Program (ISCP). Korstanje’s site–specific installation consists of five sculptures and continues her investigations into the way art can intervene in the processes of the natural world. The sculptures are made from a mix of natural and human-made materials and are designed to serve as attractive homes for solitary bees. Unlike domesticated bees, solitary bees live alone, rather than in collective hives. Designed as much for use by the garden’s natural fauna as they are for the enjoyment of its human visitors, the sculptures will alter with the changing of the seasons.

Korstanje–a Dutch artist whose mother is a beekeeper–began her involvement with bees in 2006 in the midst of the first scientific reports of colony collapse disorder, in which a large number of honeybee colonies in North America and Europe suddenly and mysteriously disappeared. Traced to the use of industrial pesticides, among other causes, this phenomenon still poses a serious threat to agricultural production in the world, where bees play an essential role in pollinating many crops. Korstanje’s installation is meant to visually suggest swarming masses of insects, while the incorporated bamboo sticks and their hollow interiors also provide ready-made nesting grounds.

This exhibition is presented by International Studio and Curatorial Program (ISCP).

Manhattan

Rendering Courtesy of the artist, Blum & Poe, Los Angeles/New York/Tokyo, and Friends of the High Line. ©Henry Taylor

Henry Taylor, the floaters
March 17, 2017 to March 2018
The High Line, Manhattan
Map/Directions (in Google Maps)

Description:

Henry Taylor is a painter known for his intimate depictions of people, capturing a wide range of subjects that span from his close friends and family, to strangers whose appearances strike him, to celebrities within the African American community. His color–blocked compositions evoke compassion and a sense of shared space, setting the viewer in close conversation with those pictured.

For the High Line, Taylor presents a new version of a self-portrait adapted specifically for its setting on the side of a building at West 22nd Street. The work depicts the artist and a friend “blissed out,” relaxing in a swimming pool at a friend’s house in Palm Springs. Reminiscent of David Hockney’s paintings of Los Angeles swimming pools from the 1960s, the floaters, a title which references the eponymous Detroit R&B group, portrays the artist in a moment of pure, leisurely happiness.

This exhibition is presented by High Line Art.

Dora Budor, The Forecast (New York Situation), 2017. Part of Mutations, a High Line Commission. On view April 2017 – March 2018. Photo by Timothy Schenck. Courtesy of Friends of the High Line

Various Artists, Mutations
April 20, 2017 to March 31, 2018
The High Line, Manhattan
Map/Directions (in Google Maps)

Description:

Mutations is an open-air group exhibition that explores the relationship between man and nature, looking at how the boundaries between the natural world and culture are defined, crossed, and obliterated. The exhibition is inspired by the High Line as a controlled environment that encapsulates, on the one hand, the modern dream of humans taming nature, and on the other, the promise of nature reclaiming its control.

Artists who are part of this exhibition include Larry Bamburg, Alisa Baremboym, Sascha Bruanig, Dora Budor, Radamés Juni Figueroa, Guan Xiao, Marguerite Humeau, Veit Laurent Kurz, Joanna Malinowska, Jumana Manna, Jon Rafman, and Max Hooper Schneider.

This exhibition is presented by the Friends of the High Line

Photo by Toby Tenenbaum, courtesy of Randallâ??s Island Parks Alliance

Rose DeSiano, Island of Empirical Data and Other Fabrications, FLOW.17
May 6, 2017 to November 30, 2017
Randall's Island Park, Manhattan
Map/Directions (in Google Maps)

Description:

Rose DeSiano’s Island of Empirical Data and Other Fabrications uses historical records, statistical data, photo archives and government documents - data points portraying a web of American values and struggles - to explore the complexity and reflexivity of culturally-constructed histories. Focusing on Randall’s Island Park as a microcosm of urban planning and transformation, DeSiano will photograph buildings, sites, and landmarks representing this data, mining the city’s archives to fill in gaps.

Welcoming park visitors at the touchdowns of crossings from East Harlem and the South Bronx, each series will comprise a multi-paneled, oversized photographic predella, visualizing the Island’s historical and socioeconomic data. The predella structure will reference Northern Renaissance altarpieces, elaborately-painted panels using Biblical characters to display challenges facing kingdoms. DeSiano’s panels will loom over Park visitors, extending the periphery and enveloping them within the city’s history of challenges and triumphs; at the same time, their own images will be reflected and superimposed upon the scene, in turn updating the archival images within modern-day Randall’s Island Park.

FLOW.17 is presented by Randall’s Island Parks Alliance and The Bronx Museum of the Arts.

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