Search Current and Past Exhibits
Through collaborations with a diverse group of arts organizations and artists, Parks brings to the public both experimental and traditional art in many park locations. Please browse our list of current exhibits below, explore our archives of past exhibits or read more about the Art in the Parks Program.
2007
Queens
Various Artists, 2007 Emerging Artists Fellowship Exhibition
September 9, 2007 to March 2, 2008
Socrates Sculpture Park, Queens
Please note: This is a past exhibit that is no longer installed in the park.
Socrates Sculpture Park’s annual Emerging Artist Fellowship Exhibition includes the following artists for 2007: Tim Clifford, Linda Ganjian, Vandana Jain, Ken Landauer, Caroline Mak, Greg Martin, Ohad Meromi, Rachel Owens, Ricky Sears, Shane Aslan Selzer, Changamire Semakokiro, and Brian Wondergem.
EAF artists are selected through an open call for proposals and are awarded a grant and a residency in the Park’s outdoor studio. Fellowship artists are also provided with technical support and access to tools, materials, and equipment to facilitate the production of large-scale public sculptures for exhibition in the Park.
The fellows develop their projects throughout the summer in the open studio and on site in the landscape, offering visitors the opportunity to experience both the creation and presentation of their works. Representing a broad range of materials, working methods, and subject matter, the diverse sculptural works in this exhibition are presented against the Park’s spectacular waterfront view of the Manhattan skyline.
For more information, please visit www.socratessculpturepark.org.
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Jeppe Hein, Modified Social Bench I
September 9 to November 27, 2007
Court Square Park, Queens
Please note: This is a past exhibit that is no longer installed in the park.
SculptureCenter in Long Island City presents Jeppe Hein’s Modified Social Bench I in conjunction with an installation of the artist’s work there through November 25, 2007, including four more of Hein’s benches. The benches stem from the artist’s consideration of social space and the way in which the physical environment shapes one's behavior. These sculptures, Hein's most recent exploration of the form and context of the park bench, present impossible seating structures. One is a circular bench, another has a seat that appears to have melted and dropped to ground level, another has legs that arch so that the seat is actually upside down and the back of the bench is touching the ground. While playful, these works invite us to consider an altered perspective on landscape and public space.
Jeppe Hein was born in Copenhagen, Denmark and lives and works in Berlin. His work has been exhibited at the 50th Biennale di Venezia; Art Gallery of New South Wales, Sydney; Barbican Art Center, London; and the FRAC Center, Orlando.
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Various Artists, Jamaica Flux: Workspaces and Windows 2007
September 29 to November 17, 2007
Rufus King Park, Queens
Please note: This is a past exhibit that is no longer installed in the park.
Jamaica Flux is a contemporary public art project that includes 24 multidisciplinary, site-specific artworks. On view in Rufus King Park are works by Lishan Chang (a large, translucent temporary wall), Shigeko Hirakawa (light sensitive tree leaves that change colors during the day), Christopher K. Ho (icosahedrons: benches of the future), Diane Meyer (a trading post where community members can exchange objects), and Carol Pereira (an upside-down, Baroque-style cone structure). The project is curated by Heng-Gil Han.
Jamaica Flux is an outgrowth of Jamaica Center for Arts & Learning’s (JCAL) extremely well-received Jamaica Flux: Workspaces & Windows 2004 project. Jamaica Flux 2007 challenges traditional ideas about where art should be displayed and explores the relationship between art, commerce, urban renewal, and community. By facilitating an inclusive dialogue between artists, curators, art-historians, community residents, business owners, and visitors to Jamaica, Queens, the project examines issues such as identity and cultural heritage, immigrant experiences, capitalism and technology, and their impacts on contemporary arts practices, and the historic specificity of place and time.
JCAL is a 35-year-old multidisciplinary urban arts center serving the community of Southeast Queens. Jamaica, Queens is one of the most ethnically diverse neighborhoods in the country, and JCAL programming strives to reflect the diversity of its vibrant community.
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Staten Island
Elizabeth Egbert, Tibetan Bench
October 1, 2007 to April 30, 2008
Greenbelt Nature Center, Staten Island
Please note: This is a past exhibit that is no longer installed in the park.
Elizabeth Egbert's sculptures are expressive and elegant constructions in wood. Much of her recent works are functional as well as sculptural, including Tibetan Bench. Ms. Egbert has been working and exhibiting in New York since the mid 1970s. A Staten Islander since 1979, Ms. Egbert currently serves as Executive Director of the Staten Island Museum, a general interest museum located opposite the Staten Island Ferry. Her work developed its natural and organic quality after the move to the Island, when she was able to work outside in her garden. Her current work is returning to the more linear and minimal quality that characterized her first major pieces from the 1970s, following the completion of her MA in sculpture from NYU.
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Gudjon Bjarnason, Exploding Metal
October 1 to January 31, 2008
Snug Harbor Cultural Center, Staten Island
Please note: This is a past exhibit that is no longer installed in the park.
This outdoor exhibition of sculpture by Gudjon Bjarnason is his second at Snug Harbor Cultural Center. Bjarnason is deeply involved with the choice and arrangement of his materials; his “exploded” works explore the tension between the simultaneous veneration and destruction of the materials that make up the artist’s work.
Born in Reykajvik, Iceland in 1959, Bjarnason studied art and architecture in the United States. He returned to Iceland and had his first major solo exhibition at Kjarvalsstadir, the Reykjavik Art Museum, in 1990. Since then, his work has been featured in nearly fifty exhibitions in Iceland, the United States, Britain, Norway, Denmark, Spain, and recently in France in connection with the cultural cities of Europe. His work is on view in fall 2007 at The Amelie A. Wallace Gallery at SUNY College at Old Westbury.
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Tim Hetherington, No Condition Is Permanent: Liberia 2003-2007
October 1 to December 31, 2007
Alice Austen Park, Staten Island
Please note: This is a past exhibit that is no longer installed in the park.
This exhibition features Tim Hetherington's raw, emotional, sometimes beautiful photographs of Liberia. He documented the fall of Charles Taylor in 2003, the election of Ellen Johnson in 2005, and the early work of the Truth and Reconciliation Commission. Hetherington captures lives irrevocably changed by war. While he does not try to explain, his images beg the question of how democracy can take hold in a country ravaged by violence.
Born in Liverpool, United Kingdom in 1970, Hetherington studied English and Classics at Oxford University before taking up photography in 1996. He is a recipient of numerous awards, including a research grant from the Hasselblad Foundation, two prizes from World Press Photo, and a fellowship from the National Endowment for Science, Technology, and the Arts.
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